4/29/2023 0 Comments Soldatenlieder 2. weltkriegGerman cinema 18951920 / Prima di Caligari. In his article 'The Kulturfilm: a brief history of an early discursive practice', William Uricchio writes: 'Thus, terms such as Unterrichtsfilm, Lehrfilm, Industriefilm, Forschungsfilm, Populärwissenschaftlicher Film, Dokumentarfilm, and even Werbefilm and Propagandafilm, all make historical claim to inclusion within the overarching Kulturfilm', in Paolo Cherchi Usai & Lorenz Codelli (ed.), Before Caligari. The eyewitnesses that are now asked to tell their stories may be compared to the people that were given a role in the 'documentaries' because of their first-hand experience.Ħ I will limit myself to the long 'documentary' film. The interview used in many modern documentaries did not become common until the nineteen fifties. Winston indicates that the term itself was already used in 1914 by the photographer and filmer of ethnographical subjects, Edward Sheriff Curtis.ĥ The intervening titles in silent films can also be interpreted as a form of written voice-over. The documentary film revisited (London 1995) 8-9. Ansätze, Entwürfe und Methoden (Berlin 1989) 182.Ĥ Brian Winston, Claiming the real. See Beller, 'Filmgeschichte im Fernsehen -Erzählen und Zeichen', in Knut Hickethier (ed.), Filmgeschichte schreiben. Beller distinguishes the following aspects: fragments of films, interviews with eyewitnesses, contemporary footage of, for example, historical sites and buildings inserts of letters, diagrams and so on reproductions such as posters, photographs and drawings, image manipulations such as dissolves and frozen frames archival footage. Somme, in contrast, containing a lot of British material, was adapted for German audiences by a German director.ģ These films can be compared to the present compilation films, especially those that fit the description by Hans Beller, which he based on the film-historical compilation film. This film, originally English (by George Barkas and Karl Halden), was actually released in Germany - the Berlin premiere took place on 14 April 1930 - but it was not adapted for German audiences except for the translation of intervening titles. I have left Blockade und U-Bootkrieg out of consideration. I have included it in the next chapter because of its clear anti-war character. The film Namenlose Helden also appeared to consist mainly of archival footage. Since this film was the first navy film to become very popular, I have included it in the fifth chapter, which deals with navy films. Some of the nonprofessional actors playing an important part in the film are people who themselves fought on the Emden. It is a mixture of archival footage and constructed scenes. The suit, cut generously so that it could be worn over the traditional black uniform, bears an elastic at the waist and cotton drawstrings at the bottom of each pant leg.1 Part of a quotation from Herbert Ihering on the occasion of the film Somme (Berliner Börsen-Courier 200 30 April 1930).Ģ A film such as Unsere Emden could also be put into the category of the 'documentary'. Shoulders bear loops and buttons for shoulder boards. 2 and Oak Leaf patterns, with six original "glass" buttons securing the front, the lowest button hole at a diagonal, one button missing on the oak leaf pattern side.Įach side bears two deep chest pockets and two waist slash pockets (lined in a green herringbone twill), and all pockets are likewise secured by buttons. The reversible step-in coverall bears Fall and Spring camo patterns in Plane Tree No. This version of the Panzer "Kombi", a reversible coverall first issued in 1943 to tank crews as their typical black uniforms failed to provide any camouflage advantage when the men were outside their vehicles.Īdditionally, it was soon learned that the presence of soldiers in black uniforms alerted the enemy that an armored unit was in the area. Production: Custom tailored in the field.
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